Can you forgive and repair old friendships and have them be as strong as they used to be? In this Agatha Christie-like murder mystery where everyone is a suspect, Kate wants to know who killed her mother, Lily, and who is sending her threatening notes. Her old best friend Blaire returns to her life after being estranged, ready to help, but does she have her own agenda? And is Kate’s husband, Simon having an affair? Is her dad keeping a secret? Is the nanny being honest? Set in the world of old money and generational wealth of Baltimore, Kate has suffered more than one tragic loss and her family and friends support her, yet one of them could be a murderer. Filled with lots of twists and turns, this whodunnit keeps you on your toes! The Last Time I Saw You‘s author, Liv Constantine is the master of deception and lies, with this fast paced psychological suspense, perfect for a day on the beach!
I was fortunate enough to attend a book talk with the authors and learned about them and their writing process.
Liv Constantine is the pen name for Lynne and Valerie Constantine, the dynamic duo sisters who write together over FaceTime; one lives in Maryland, the other in Connecticut. They figured out the secret to success with their huge best seller, The Last Mrs. Parrish, and are back with a new psychological thriller that will keep you flipping through the pages, called The Last Time I Saw You. Lynne and Val started working together 20 years ago in person and enjoy having each other as writing partners. They split the writing pretty evenly but both have their own strengths, as Val is best at setting and scene and Lynne is the pro on writing dialog. They come up with the story line and characters together and luckily, they rarely disagree.
The theme of The Last Time I Saw You is friendship, and it is dedicated to the Tuesday ladies, the special group friends who spent time with their mom and aunt, always elegantly dressed with nice shoes, fancy hair and makeup.
After a big splash in the book world with Mrs. Parrish, there was considerable pressure to follow suit. This sophomore book took them one and a half years to write, and according to the authors, it was like pulling teeth all the way! Revisions were plentiful as their publisher told them they needed one more twist in the plot, and then the decision to change who the murderer was in the third draft led to some rewriting. Lucky for us, the book is complete and out in the world! FYI, their third book, about a wife stalker, only took four months to write and is in edits now!
When asked about the attention received for The Last Mrs. Parrish, Lynne and Val told a few stories.
(Lynne, sorry about this photo with your eyes closed licking your lips…you must be thinking about Patrick Dempsey!)
When The Last Mrs. Parrish was chosen for the People Magazine pick, the sisters were ecstatic and ventured out to CVS to buy up a bunch of copies. Unfortunately Harvey Weinstein was on the cover and they got a lot of strange looks from observers!
When they were notified that Reese Witherspoon chose Mrs. Parrish for her book club, over the phone, they screamed with delight but were then told they had to keep it quiet for close to three weeks. They lied to one of their husbands who was in the room at the time, making up some story about how someone was going to write an article about them. He thought they were a bit dramatic but they stuck to their story. Ultimately Lynne and Val were thrilled when Witherspoon announced her pick of The Last Mrs. Parrish and they had the pleasure of connecting with Reese on Instagram.
The most recent, exciting news is that Amazon is developing a series based on Mrs. Parrish, but mums the word on details as of now!
Liv Constantine is the pen name of USA Today, Wall Street Journal, and international bestselling authors and sisters Lynne Constantine and Valerie Constantine, co-authors of the Reese Witherspoon book club pick, THE LAST MRS. PARRISH. Separated by three states, they spend hours plotting via FaceTime and burning up each other’s emails. They attribute their ability to concoct dark story lines to the hours they spent listening to tales handed down by their Greek grandmother. Their next book, THE LAST TIME I SAW YOU, was released on May 7, 2019.
Don’t miss Sally Rooney’s newest novel, Normal People. This engaging page-turner is about two teenagers from Ireland but it is for everyone! Connell is a smart, popular athlete with a working class single mother, and Marianne is an intelligent, oddball loner who lives in a mansion with her disfunction family, enduring their physical and mental abuse. They two are intellectually well matched classmates yet socioeconomically incompatible and they steer clear of each other in high school. Connell’s mom is the cleaning lady for Marianne’s family and when Connell picks his mom up from work the teenagers’ paths cross. Their attraction is powerful, they enjoy conversation, and they secretly spend time together, agreeing to keep it under wraps.
Their relationship is complicated in public. The kids at school would never understand or accept their being a couple, but when they are alone together they are drawn to each other. “Most people go through their whole lives, Marianne thought, without ever really feeling that close with anyone.” Their feelings grow and the companionship brings them both some sense of normalcy and happiness, until Connell makes a bad decision that hurts her feelings and changes the course of their relationship. This crucial choice pushes Marianne away, and so begins the rough road of ups and downs these complex Irish teenagers’ experience in this coming of age love story, Normal People.
Marianne struggles with self worth in high school, but in college she appears more confident and popular with many friends. Connell ends up at the same school but is more reclusive, his security of high school having disappeared. He truly loves her and tells her he will never let anything bad happen to her. Their magnetism is mutual and undeniable, and even though they are not a traditional couple, they end up feeling understood and normal when they are alone together. Unfortunately due to misunderstandings, they have fall outs over and over. They are both on the constant search for self worth and love, and they each have other relationships, but Marianne’s are not always healthy.
“There’s always been something inside her that men have wanted to dominate, and their desire for domination can look so much like attraction, even love. In school the boys had tried to break her with cruelty and disregard, and in college men had tried to do it with sex and popularity, all with the same aim of subjugating some force in her personality. It depressed her to think people were so predictable. Whether she was respected or despised, it didn’t make much difference in the end. Would every stage of her life continue to reveal itself as the same thing, again and again, the same remorseless contest for dominance?”
Connell and Marianne did not feel normal in their own skin, struggling with intellectual superiority along with insecurities and feelings of unworthiness. They knew each other best, yet communication was often misinterpreted between them and their reactions based on what they thought was going on impacted the choices they both made along the way.
This coming of age love story deals with social and economic status, depression and dominance…very real and often sad and frustrating. There were things I hoped Connell and Marianne would have said to each other and I desperately wanted a different ending, but even though they suffered the consequences of poor communication, we are left with the hope that these two young people will ultimately find themselves happy and together. Sally Rooney’s writing is easy to read, direct and gives a clear picture of the complexities of a teenage, fluctuating relationship over a four year period. I loved Normal People and highly recommend it!
Sally Rooney was born in 1991 and lives in Dublin, where she graduated from Trinity College. Her work has appeared in Granta, The Dublin Review, The White Review, The Stinging Fly, and the Winter Pages anthology.
Rooney completed her debut novel, Conversations with Friends, whilst still studying for her master’s degree in American literature. She wrote 100,000 words of the book in three months.
Reading helps us to examine our world in new ways. It provides us with opportunities to become more educated on an infinite number of topics and allows us to look at issues ways we may never have before. Reading gives us insight into relationships and helps us understand people, teaches us empathy, and presents opportunities to ask questions.
Here are 4 benefits of reading, and 30 book suggestions for you to enjoy!
1. LEARN ABOUT INTERESTING TOPICS
Exploring places around the world and going back in time through reading gives us access to infinite knowledge.
Different Aspects of World War II
Women were chosen to be food tasters for Hitler in At The Wolf’s Table by Rosella Postorino.
Challenges of Assimilation
A Place For Usby Fatima Farheen Mirza explores a Muslim Indian American family and their religion and traditions.
Performance Art at MOMA
The Museum of Modern Loveby Heather Rose is a fiction story centered around Marina Abramović and her performance art exhibit in 2010.
The Girl Who Smiled Beadsby Clemantine Wamariya is a memoir about a girl who survived the genocide in Rwanda and the aftermath.
Death Row and Prison Life
The Last Suppersby Mandy Mikulencak and The Sun Does Shineby Anthony Ray Hinton give a dismal picture of what goes on behind bars and the strength needed to overcome.
The Korean War
Pachinkoby Min Jin Lee and If You Leave Meby Crystal Hana Kim teach us about the lives of Korean refugees.
Littleby Edward Carey is a story based on the imagined life of Madame Tussaud, Eleanor Roosevelt and her unconventional relationship is depicted in White Housesby Amy Bloom, and the life of the strong female poet, Forugh Farrokhzad is revealed in Song of a Captive Birdby Jasmin Darznik.
Strong Women That Were Wronged
These are devastating stories of women in the past who were not protected by the government, like the rabbits in The Lilac Girlsby Martha Hall Kelly, and the factory workers in The Radium Girlsby Kate Moore.
Grand Central Terminal History
Fictitious stories about the actual art school located above Grand Central Terminal are depicted in The Masterpieceby Fiona Davis.
2. EXAMINE COMPLEX RELATIONSHIPS
Reading can provide different prospectives, helping us see a story from all sides.
Loosely based on the author and Philip Roth, we read about a young girl in a relationship with an older male in Asymmetry by Lisa Halliday.
A look back on the memories of the narrator’s first love, there is a young male in a relationship with an older female in The Only Storyby Julian Barnes.
People are always saying reading encourages empathy and it is really true…When you are reading you are made more aware of other people’s feelings and given the opportunity to understand people that are different.
The Only Story by Julian Barnes is an introspective retrospective on a first love and how it shaped the narrator’s life. I loved this thought provoking love story told many years later and the internal discussion about memories.
In part one, nineteen year old Paul is home from university for the summer and with his mother’s encouragement, he joins the local country club to play tennis. He is partnered with Susan, a married woman old enough to be his mother. Paul and Susan spend time together and as their lives intertwine, he meets Susan’s friend Joan, and Susan gets to know Paul’s college buddies. Paul falls in love, Susan is attracted to him, and the unlikely couple begins an affair. When their taboo relationship becomes public, they are kicked out of the country club. Young Paul is energized by the public disapproval, and despite her marriage, albeit loveless, the two travel together, and they live together for over a decade. There was love and romance, and everything was so good. This is how Paul wants to remember.
In part two Paul tells us all the things he remembers but would want to forget. They had borders living with them in the attic, Susan’s husband punched him and on another occasion he smashed her teeth in. Susan was an alcoholic and taking antidepressants. The realities of life are revealed and author Julian Barnes switches narration from first person, to third person as he distances himself from intense feelings of lust and love to disappointments and heartbreak.
Susan and Paul’s non traditional relationship was a beautiful love affair and at the same time marred by lies, abuse and alcohol. Paul discusses the idea that feeling less and lower expectations can protect you from too much emotion and hurt. His happiness is based on Susan, but her happiness has nothing to do with him. She is devoted to drinking and he takes that as rejection.
In the end, Paul can’t stop Susan from drinking so he leaves her, but every time she needs him, he goes to her. He is emotionally tethered and his love for her causes him to be angry and disgusted with himself, wondering if there is something to be said for feeling less.
The Only Story is a raw look at young love, memory and bias, and how over time you can gloss over difficult times to shape your memories. I enjoyed the author’s retelling of Paul and his falling in love with an older woman, his all in full commitment and his naiveté, her baggage with her husband, children and her addictions, and how his love blinded him. Romantic and sad with love, forgiveness and continual heartbreak, this story is thought provoking when it comes to how we look back at our lives and remember certain things. Beautifully written and short in length, this is well worth the read.
Julian Patrick Barnes is a contemporary English writer of postmodernism in literature. He has been shortlisted three times for the Man Booker Prize— Flaubert’s Parrot (1984), England, England (1998), and Arthur & George (2005), and won the prize for The Sense of an Ending (2011). He has written crime fiction under the pseudonym Dan Kavanagh.
Following an education at the City of London School and Merton College, Oxford, he worked as a lexicographer for the Oxford English Dictionary. Subsequently, he worked as a literary editor and film critic. He now writes full-time. His brother, Jonathan Barnes, is a philosopher specialized in Ancient Philosophy.
He lived in London with his wife, the literary agent Pat Kavanagh, until her death on 20 October 2008.
Desire and early marriage are a perfect match but on their honeymoon in Cape May, the brand new and unfamiliar feeling of lust sends naive newlyweds Effie and Henry down a dangerous path. Can they retrace their steps and go back to pure and innocent times, or will their unforgivable actions alter the course of their relationship forever?
Chip Cheek’s debut, Cape May, is set in 1957 and the innocent, young couple is right out of high school. After a disappointing few days on their honeymoon in a sleepier than what they expected, New Jersey seaside village, where their fun and togetherness feels awkward, forced and unnatural, they decide to return home to Georgia early. But a chance meeting with beautiful, socialite neighbors who are having a party change their minds and boy, do things heat up. Socializing, drinking, dancing, swimming and sailing with the people down the street add energy and excitement and contribute to the electricity in the air. Having great fun in the vacation mode, and experiencing thrills and lowered inhibitions lead Effie and Henry, along with the neighbors, to sexual experimentation, manipulation and betrayals.
This book is steamy and fast paced – a good, hot beach read. It was a little too “50 Shades of Grey” for me personally, but I still enjoyed and appreciated the story of the loss of innocence in a new marriage, the inner conflicts regarding morality and the impact continually flowing cocktails, clandestine meetings in the night and sexual freedom can have. This is not your mother’s honeymoon!
CHIP CHEEK’s stories have appeared in the Southern Review, Harvard Review and Washington Square, among others. He’s been awarded scholarships to the Bread Loaf Writers’ Conference, the Tin House Summer Writers’ Workshop, and the Vermont Studio Center. CAPE MAY is his debut novel.
This is Home is a emotional story of Libby, a motherless teenage girl trying to create and define her home along with Quinn, a military wife who feels abandoned and is searching for belonging. The characters are searching for connection and the family they really want is not always an option.
Teenage Libby lives with her father, Brent, who has returned from the military to raise her. Her mother left when she was very young, came back in time to fight and lose her battle with cancer, leaving the father and daughter to face the world without her. Brent’s sisters live in the apartment upstairs and are on hand to take care or Libby when he is at work.
Quinn’s husband, John returned from the military with PTSD and then abruptly goes missing, so, now all alone, she moves in to the first floor apartment of Brent’s house to figure out her life. Brent was John’s platoon leader in Iraq and he feels responsible for helping Quinn out. Initially, Libby is not happy with the intrusion of a stranger in her house and in her life, but she and Quinn, both struggling with abandonment and redefining home, develop a friendship.
Lisa Duffy’s characters are imperfect and believable – they all are in search of something and they also offer comfort, camaraderie and support to each other, making this a book I didn’t want to end. The author touches on PTSD, pregnancy, drugs and alcohol, and coming of age – real life problems and challenges that are relatable. I enjoyed all the relationships that were forged, the growth each character experienced, and I was rooting for them all! I highly recommend This is Home as well as Lisa Duffy’s first book, The Salt House.
Q & A with Lisa Duffy
Do you have experience with ptsd and the military and how much research did you do for this book?
One of the reasons I wanted to write about this subject was my lack of personal experience with the military. When my oldest daughter graduated high school, a number of her classmates joined the military, some in potential combat positions, and it raised so many questions for me. What makes someone choose this as a future? How do the loved ones staying behind feel about it? What sort of sacrifices and challenge arise when someone deploys on a tour and then returns to civilian life? As a writer, this is the material I always want to explore. The things that pique my curiosity. My research started with reading a lot of memoir and fiction. Then watching a lot of documentaries on the subject. I have several friends in the military and they put me in touch with people who were willing to talk about their experience and answer any questions that came up as I wrote the book.
Dogs can certainly bring out the best in people. Why did you decide to include Rooster as a character?
A lot of things that come to life in a book aren’t really decisions. When I started writing the character of Libby, she had a dog. It wasn’t really a conscious decision that I made, more of a feeling that this family would be a family who owned a dog. So…Rooster Cogburn appeared. And he was immediately this big, lazy beast. Maybe because we’ve always had big, lazy labs and they’ve always been such a huge part of our family. Rooster was a lot of fun to write. I miss spending my days with him.
None of the characters had a stable upbringing or current adult family life that felt solid yet they were all in pursuit of normalcy. What is the significance of the title This is Home?
The title comes from a moment in the end of the first chapter when Libby is wishing they could move out of the noisy, crowded triple-decker and back to their old home—the one she’s always known. But she doesn’t bother talking about it with her father. She doesn’t ask him to move back home because she knows that his answer will be that this is home, even though it doesn’t feel like it to her. It’s the beginning of her journey to redefine home, and what it means to her.
What have you read lately that you recommend?
I loved Sandi Ward’s Something Worth Saving, Devin Murphy’s Tiny Americans and Elise Hooper’s Learning To See. All second books that hit shelves this year from authors I met in an online debut group for The Salt House. One of the great things about this author gig is finding new favorite writers. I’m waiting eagerly for the third novels from all of these folks.
What is on your nightstand to be read next?
I’ve been looking forward to diving into Michelle Obama’s memoir. I also have a second draft of a friend’s novel-to-be waiting on my Kindle. And a stack of novels on my bedside table that is growing and growing. I’m not doing a lot of reading right now because I’m close to finishing the first draft of my third novel, and I find that at night, I just want to sit and clear my head. But when I’m done with the draft, I’ll be ready to dig in to other stories.
What are you working on now?
I’m working on my third novel, releasing from Atria next summer, about class, identity and betrayal colliding when a young girl is orphaned in a close-knit island community off the coast of New England.
Lisa Duffy is the author of This is Home and The Salt House, named by Real Simple as a Best Book of the Month upon its June release, as well as one of Bustle’s Best Debut Novels by Women in 2017, a She Reads Book Club selection and Refinery 29’s Best Beach Reads of 2017.
Lisa received her MFA in creative writing from the University of Massachusetts. Her short fiction was nominated for a Pushcart Prize and her writing can be found in numerous publications, including Writer’s Digest. She lives in the Boston area with her husband and three children.
This wonderful debut novel, If You Leave Me, centers around five characters growing up during and after the Korean war. Haemi is a spirited, willful and independent 16 year old refugee who lives with and feels responsible for her widowed mother and her sickly younger brother, Hyunki. She and her lifelong friend, Kyungwan, are experiencing young love, but he wants to get an education and be a better man before he expresses his feelings. Kyungwan’s older, wealthier cousin, Jisoo, has no immediate family, and he also takes a liking to Haemi. Before he goes off to war he asks her to marry him, with the hope that when he returns he will have family waiting for him. Jisoo can ensure less struggling and provide food and medicine for Haemi and her family. Despite her connection with Kyungwan, her hope of having a life with him, and her desire for education, she ignores her emotions and accepts Jisoo’s proposal, knowing this union will provide stability and financial security for her aging mother and sick brother, and will allow all of them to continue living together. Understanding he cannot provide the security Haemi needs, Kyungwan leaves. Jisoo returns from war and he and Haemi have children, but she struggles with life and loss, and has a difficult time finding peace with her decisions. After 11 years, Kyungwan returns for a short visit…
If You Leave Me is a war story and a love story; life choices are influenced by the Korean war and the challenges of being a refugee. Crystal Hana Kim takes us through 16 years and we witness the struggles…what they do for love and what love does to them. This is a generational saga with multiple prospectives over time, and we see how the old and the young are influenced by western culture as it is integrated into Korean life. Families are torn apart during the civil war in Korea, and the people are desperately trying to repair their lives. If You Leave Me is about difficult decisions, the security found in new families, and the unforgettable ache of lost love. If you loved Pachinko by Min Jin Lee, you will love this one!
Crystal Hana Kim Book Talk
Upbringing
I had the wonderful opportunity to meet Crystal Hana Kim and as always, hearing from the author enhanced my understanding of where the story ideas came from and gave me a deeper appreciation for the creativity, effort and final product. I learned that Crystal’s Korean maternal grandmother came to New York to help raise her for a few years when she was a baby and then returned home to Korea where she goes to visit every year. Crystal remains close to her grandmother and they keep in touch through texts and selfies. Her parents are immigrants and throughout her childhood they spoke Korean, were influenced by the culture and ate Korean food at home. When Crystal went to school she felt people did not understand her or know who she was. When she told a boy she was Korean he said no, she must be either Chinese or Japanese. Shocked to realize Americans knew little about Korea she decided she would one day write about her culture and her family’s country.
Grandmother
Crystal’s grandmother often tells her stories about her youth and how she was a teenage refugee and had to flee her home during the Korean war. She talks to her about poverty and the restraints on women and how marriage gave her stability even though she wanted an education, likely influencing Haemi’s character development in If You Leave Me. (In order to fulfill her dream of education today, Crystal’s grandmother is taking harmonica lessons and is in a poetry class!)
Research
Research for the novel started with Crystal’s knowledge of Korea and her own personal family experiences and traditions, and then expanded to a civilian focused effort, interviewing many of her Korean relatives. Her hope was to create a novel that was vivid, descriptive and portrayed family and cultural history with integrity, and I believe she was hugely successful. I loved If You Leave Me and highly recommend it.
Q & A with Crystal Hana Kim
Q: I enjoyed the multiple perspectives in If You Leave Me, and each character painted a vivid picture of their life and surroundings. I know you are a first generation American…have you been to Korea? How much of your story came from your experiences or people you know? Did your parents’ experiences influence your story?
A: I grew up going to Korea every summer because my mother’s side of the family all live there. She wanted to make sure that my sister and I spent as much time with our grandparents, aunts, uncles, and cousins so that we could maintain strong ties despite the physical distance. The stories in If You Leave Me are all fictitious; my favorite part of writing is creating characters, lives, and circumstances. My grandparents all survived the Korean War, and the tragedy of this war did inspire me to write about this particular time, but the characters are all my own.
Q: All your characters were flawed and realistic – and the war and political situation influenced their life choices and decisions. In addition, the western cultural influences had an impact and it seemed like traditional values were being challenged by new thinking. Do you think people who live through these type of unstable times and suffer terrible loss can recover from them and find happiness?
A: I’m an optimist, so yes, I believe in the resilience of humankind. However, I do think that the ways in which we cope with violence, civil war, hunger, and tragedy depends on the individual. There are so many factors that shape our individual selves, from our family relationships to cultural expectations to our access to class, privilege, and opportunity. In If You Leave Me, my goal was to create a complex, diverse group of characters who felt as real and human as possible.
Q: We never find out who received the yellow dress but are made to feel like Jisoo bought it for another woman. Why did you choose not to tell us who received it? Did it not matter? (It came up in the book discussion!)
A: Ah, the yellow dress! I prefer books that do not tie up every loose end, that instead allows room for the reader to make their own judgments. What the yellow dress represented—mistrust, disloyalty, and the fracturing in Haemi and Jisoo’s relationship—were more important and interesting to me than neatly concluding whether or not Jisoo bought a dress for another woman.
Q: Haemi loses everything over the course of her short life…her father dies, she spends her childhood caring for her widowed mother and ailing brother, she gives up her relationship with Kyunghwan so her family has financial stability, she sacrifices her will to be educated to become a wife to a man she doesn’t love and she loses her brother. She mentions several times how she has a hard time recovering after pregnancy. She also was so angry and seemed to recognize this and try to control it at times. Did Haemi have post partum depression or a mental illness?
A: Haemi had to sacrifice a lot for her family, and yet there were real moments of joy in her life as well. For example, even in her relationship to Jisoo, there is a form of love in the earlier years of their marriage. Even though she finds motherhood difficult and is not the perfect caretaker, she also deeply loves her children. I wanted her life to be complex and yet realistic to the time she grew up in.
I specifically depicted Haemi struggling after pregnancy because I wanted to write about a strong female character suffering from post partum depression. Haemi tries to articulate how she is feeling to those around her, but they cannot comprehend her illness and thus have no empathy for her. I wanted to showcase how frustrating this could feel for a mother of young children—in addition to suffering from post partum, she does not have the vocabulary to articulate her illness to others.
Q: How long did it take you to write this book?
A: In 2011, when I started my graduate studies in MFA at Columbia University, I began writing about Haemi and Solee. I was interested in their mother-daughter relationship and their circumstances. As I wrote scenes from their perspectives, the other characters began to take shape. At first, I thought I was working on an interconnected short story collection about a Korean family over three generations. In 2014, I realized that I could take part of that collection and turn it into a novel. At that point, the premise and scope of If You Leave Me was born, and it was published a few years later in 2018.
Q: Would you ever consider writing a book centered on one of the daughters as a continuation?
A: Yes, I’ve actually toyed with the idea of writing a book about the daughters in their adult years! I think it would be interesting to explore the different trajectories these daughters’ lives would take as they grapple with their childhoods, their mother’s leaving, and Korea’s modernization. I also think this could be a way to explore immigration to the United States, which, as the daughter of Korean immigrants, I would love to write about.
Q: What 3 books have you read recently that you recommend?
A: There are so many books I’d recommend! Chemistry by Weike Wang was published in 2017, but I read it this year. Chemistry is a funny and moving story about an indecisive Chinese American Phd Chemistry candidate trying to understand what she wants out of life. Fever Dream by Samanta Schweblin (translated by Megan McDowell) is a slim, powerful, eerie, and odd conversation between a sick young woman in a rural hospital and a young boy. It’s an unsettling book that is difficult to describe but that will stay with you for a long time. The Return by Hisham Matar is a memoir about the author’s return to Libya to investigate the mysterious disappearance of his father decades before.
Q: What books are on your nightstand that you are looking forward to reading?
A: I am very excited to read Heavy by Kiese Laymon, Trust Exercise by Susan Choi, and American Spy by Lauren Wilkinson.
Crystal Hana Kim holds an MFA from Columbia University and is a contributing editor for Apogee Journal. She has received numerous awards, including PEN America’s Story Prize for Emerging Writers, along with fellowships and support from the Bread Loaf Writers’ Conference and the Fine Arts Work Center in Provincetown. Born and raised in New York, she currently lives in Chicago.
If you like a story that rips your heart out over and over, grab a box of tissues and a copy of The Last Letter. Special ops officer, Beckett, grew up in foster care and went into the armed services to run away from his difficult, transient life. His best friend was killed in action but before he died, he wrote a last letter, asking Beckett to take care of his sister, Ella if anything happened to him. She had been married and pregnant at 17, her husband left her to raise twins on her own. One of the twins was very sick and needed treatment, and without her beloved brother, she really could use some support. Will Beckett leave the military to follow up on his buddy’s last request?
The book is a back and forth exchange of letters, where we not only learn the day to day happenings and the past leading up to it, but also the deep feelings, insecurities, hopes and dreams of Ella and Beckett. Through the eyes of a military family, Yarros has mastered the tugging of heartstrings and created complete characters who fight their own demons and exercise restraint, while at the same time explore love and loss, worry and hope, with physical chemistry that rivals 50 Shades of Grey at times. Life’s mix of emotions is experienced in this sorrow-filled, yet beautiful love story. One day at the beach or on a plane with this book is all you need to become immersed, absorbed and drained! Add The Last Letter to your list for a quick and emotional read. Don’t forget the tissues!
Rebecca Yarros is a hopeless romantic and a lover of all things coffee, chocolate, and Paleo. She is the author of the Flight & Glory series, including Full Measures, the award-winning Eyes Turned Skyward, Beyond What is Given, and Hallowed Ground. Her new Renegade Series features Wilder and the upcoming Nova, and is sure to keep your heart pounding. She loves military heroes, and has been blissfully married to hers for fourteen years.
When she’s not writing, she’s tying hockey skates for her four sons, sneaking in some guitar time, or watching brat-pack movies with her two daughters. She lives in Colorado with the hottest Apache pilot ever, their rambunctious gaggle of kids, an English bulldog who is more stubborn than sweet, and a bunny named General Fluffy Pants who torments the aforementioned bulldog. They recently adopted their youngest daughter from the foster system, and Rebecca is passionate about helping others do the same.(less)
Having grown up and currently living in a small town in suburbia, where over time, modest houses are knocked down and replaced by mansions, trees are removed so yards can have more sunlight, and neighbors have disputes over fences, branches, mailboxes and plowing, I have witnessed communities caught up in grievances surrounding property lines, barking dogs and early morning leaf blowing. Author Julie Langsdorf creates Willard Park, a small town outside of Washington DC where amidst the community craziness we meet well meaning, imperfect characters living their lives to the best of their abilities. Those of us living in suburban areas outside of cities will relate to this slice of life, entertaining debut, White Elephant where neighborly tensions run high and add to the stress of everyday life, tired marriages and over exposed mortgages.
In this satirical debut that is a slightly exaggerated reality and consistently humorous, we are given a peak into suburbia and all the secrets. Julie Langsdorf digs deep to uncover the real people in the neighborhood, their lack of communication and honestly with themselves and each other, their insecurities and private affairs along with their hopes and ideas of what it means to achieve the American Dream. White Elephant is an enjoyable snapshot of Anytown, USA where crazy things happen and it’s just another day!
Q & A with Julie Langsdorf
Q: How did you come up with the idea to write a book about neighborhood tension stemming from the presence of a big new house, nicknamed the White Elephant?
A: I was inspired to write the book in 2005, when a series of articles in The Washington Post and other D.C. publications detailed the chaos that was going on in some of the area’s older, established communities. People were moving into these towns and tearing down the older houses and building new, often enormous houses, much to the older residents’ chagrin. Neighbors were egging one another, yelling at each other in the street, and suing each other. It was such a big, juicy mess I couldn’t resist writing about it.
Q: Did you grow up in suburbia and are any of the characters based on people you know?
A: I grew up in a small town that bears some similarities to the fictional town of Willard Park. There’s a children’s library and houses that range from gracious Victorians to 1960’s split levels. The only character who is based on someone is Terrance, Ted’s twin brother, who is modeled after my own brother, Kenny—one of the sweetest people I know.
Q: Willard Park seemed familiar to me and I am sure to many who read White Elephant. Do you think people living in many suburban towns experience similar disagreements?
A: I think it’s a widespread problem. I’ve heard from people all over the country who say it feels like their neighborhood! We all have different ideas about the American Dream; sometimes it’s hard to reconcile those concepts within a community.
Q: As I was reading I was thinking the characters belong in a soap opera and then again, this small town outside of DC is an example of so many upper middle class towns…from the dispute over the trees and new houses, to the intimacy issues and infidelity, pot smoking, truancy, illness, wannabe artists, small business owners, coffee shops, town festivals, and even a community theater performance of Annie Get Your Gun…it all rings true and seems like a microcosm of the country today! So many things happen yet the story keeps moving forward smoothly as if all the craziness is just the norm. The satirical storytelling with a window into peoples’ lives was a joy to read. Where did you get all your ideas?
A: Thank you for saying that it’s a microcosm of what’s going on today! It really feels that way to me. Willard Park is dealing with the intense stratification we are all confronting these days. It’s so hard for people to see the ‘other side,’ and we are at risk of vilifying those who have a different perspective. There is a lot of craziness in this book, but I’m not sure it’s that much crazier than things that are going on in real life! I love the way community theater pulls a town together. There’s something so sweet about townspeople singing and practicing lines together just for the joy of it; it’s an interesting contrast to the divisiveness they are all feeling. My daughter was in Annie Get Your Gun when she was a child, so I picked that one. It’s such a wonderfully over-the-top show. I never really know where my ideas come from; I like to give my mind plenty of space to wander so oddball ideas can surface when they are ready to.
Q: You portrayed this slice of life humorously and with great insight. There are plenty of secrets between neighbors, friends and family members and open communication is minimal. Most of the characters do bad things but they all have their reasons and although I felt frustrated at times, I forgave them. True feelings are revealed and obstacles are faced, all the while everyone is on their solo journey, searching for their own happiness. Things get so messy and the characters are deeply intertwined…how did you organize the web of neighborhood relationships…did you draw it out on paper first or did you just write and it grew together?
A: Yes, communication is an enormous problem in the book—not just among those who dislike each other, but even among those who love one another. I think it’s a problem in real life as well. I hope readers will feel they understand why the characters make the choices they do even if they disagree with them, and will feel that they are all human, despite their flaws. I don’t map it out, but I did carefully track each character’s journey toward the end of the writing process to make sure everyone’s story hangs together with the characters with whom they interact.
Q: Was there anything in the story that didn’t make the final cut?
A: I cut Nina, the realtor, as a narrator. She was a fun character to write, but in the end I didn’t think her voice added enough to the story.
Q: How long did it take you to write White Elephant and what are you working on now?
A: I wrote White Elephant in about three years, between 2005 and 2008. A long time ago now! When I finished it, the bottom fell out of the market, so it wasn’t the book’s time—but things have come full circle in recent years. I recently finished another suburban comedy set in a different kind of Maryland town. It, too, is told from multiple points of view, and is very topical. I can’t reveal any more about it just yet, but I will as soon as I am able to!
Q: What three books have you read lately that you recommend? And what is on your nightstand to read next?
A: I loved Daisy Jones and The Six, by Taylor Jenkins Reid, which I listened to as an audiobook; I highly, highly recommend readers experience it in that way. I also highly recommend Angie Kim’s debut novel Miracle Creek, which will be published this Tuesday. It’s a courtroom drama you do not want to miss. I’m currently reading Oksana Behave!, by Maria Kuznetsova, which is a complete delight. She has such a fresh, fun voice. Next up is Mandy Berman’s Perennials.
I enjoyed and recommend White Elephant. For another humorous book that gives you a behind the scenes look – this time in politics and journalism in the newsroom, check out Amanda Wakes Up by Alisyn Camerota.
Julie Langsdorf has received four fiction grants from the Maryland State Arts Council and her short stories have appeared in several literary magazines. White Elephant, her debut novel, was named a new book to watch for and an editors’ choice by The New York Times, a book not to miss by USA Today, a highly anticipated debut novel by The LA Times, a best new book by Southern Living Magazine and Real Simple, and a Library Journal best debut.
