The Only Story by Julian Barnes is an introspective retrospective on a first love and how it shaped the narrator’s life. I loved this thought provoking love story told many years later and the internal discussion about memories.
In part one, nineteen year old Paul is home from university for the summer and with his mother’s encouragement, he joins the local country club to play tennis. He is partnered with Susan, a married woman old enough to be his mother. Paul and Susan spend time together and as their lives intertwine, he meets Susan’s friend Joan, and Susan gets to know Paul’s college buddies. Paul falls in love, Susan is attracted to him, and the unlikely couple begins an affair. When their taboo relationship becomes public, they are kicked out of the country club. Young Paul is energized by the public disapproval, and despite her marriage, albeit loveless, the two travel together, and they live together for over a decade. There was love and romance, and everything was so good. This is how Paul wants to remember.
In part two Paul tells us all the things he remembers but would want to forget. They had borders living with them in the attic, Susan’s husband punched him and on another occasion he smashed her teeth in. Susan was an alcoholic and taking antidepressants. The realities of life are revealed and author Julian Barnes switches narration from first person, to third person as he distances himself from intense feelings of lust and love to disappointments and heartbreak.
Susan and Paul’s non traditional relationship was a beautiful love affair and at the same time marred by lies, abuse and alcohol. Paul discusses the idea that feeling less and lower expectations can protect you from too much emotion and hurt. His happiness is based on Susan, but her happiness has nothing to do with him. She is devoted to drinking and he takes that as rejection.
In the end, Paul can’t stop Susan from drinking so he leaves her, but every time she needs him, he goes to her. He is emotionally tethered and his love for her causes him to be angry and disgusted with himself, wondering if there is something to be said for feeling less.
The Only Story is a raw look at young love, memory and bias, and how over time you can gloss over difficult times to shape your memories. I enjoyed the author’s retelling of Paul and his falling in love with an older woman, his all in full commitment and his naiveté, her baggage with her husband, children and her addictions, and how his love blinded him. Romantic and sad with love, forgiveness and continual heartbreak, this story is thought provoking when it comes to how we look back at our lives and remember certain things. Beautifully written and short in length, this is well worth the read.
Julian Patrick Barnes is a contemporary English writer of postmodernism in literature. He has been shortlisted three times for the Man Booker Prize— Flaubert’s Parrot (1984), England, England (1998), and Arthur & George (2005), and won the prize for The Sense of an Ending (2011). He has written crime fiction under the pseudonym Dan Kavanagh.
Following an education at the City of London School and Merton College, Oxford, he worked as a lexicographer for the Oxford English Dictionary. Subsequently, he worked as a literary editor and film critic. He now writes full-time. His brother, Jonathan Barnes, is a philosopher specialized in Ancient Philosophy.
He lived in London with his wife, the literary agent Pat Kavanagh, until her death on 20 October 2008.
Desire and early marriage are a perfect match but on their honeymoon in Cape May, the brand new and unfamiliar feeling of lust sends naive newlyweds Effie and Henry down a dangerous path. Can they retrace their steps and go back to pure and innocent times, or will their unforgivable actions alter the course of their relationship forever?
Chip Cheek’s debut, Cape May, is set in 1957 and the innocent, young couple is right out of high school. After a disappointing few days on their honeymoon in a sleepier than what they expected, New Jersey seaside village, where their fun and togetherness feels awkward, forced and unnatural, they decide to return home to Georgia early. But a chance meeting with beautiful, socialite neighbors who are having a party change their minds and boy, do things heat up. Socializing, drinking, dancing, swimming and sailing with the people down the street add energy and excitement and contribute to the electricity in the air. Having great fun in the vacation mode, and experiencing thrills and lowered inhibitions lead Effie and Henry, along with the neighbors, to sexual experimentation, manipulation and betrayals.
This book is steamy and fast paced – a good, hot beach read. It was a little too “50 Shades of Grey” for me personally, but I still enjoyed and appreciated the story of the loss of innocence in a new marriage, the inner conflicts regarding morality and the impact continually flowing cocktails, clandestine meetings in the night and sexual freedom can have. This is not your mother’s honeymoon!
CHIP CHEEK’s stories have appeared in the Southern Review, Harvard Review and Washington Square, among others. He’s been awarded scholarships to the Bread Loaf Writers’ Conference, the Tin House Summer Writers’ Workshop, and the Vermont Studio Center. CAPE MAY is his debut novel.
This is Home is a emotional story of Libby, a motherless teenage girl trying to create and define her home along with Quinn, a military wife who feels abandoned and is searching for belonging. The characters are searching for connection and the family they really want is not always an option.
Teenage Libby lives with her father, Brent, who has returned from the military to raise her. Her mother left when she was very young, came back in time to fight and lose her battle with cancer, leaving the father and daughter to face the world without her. Brent’s sisters live in the apartment upstairs and are on hand to take care or Libby when he is at work.
Quinn’s husband, John returned from the military with PTSD and then abruptly goes missing, so, now all alone, she moves in to the first floor apartment of Brent’s house to figure out her life. Brent was John’s platoon leader in Iraq and he feels responsible for helping Quinn out. Initially, Libby is not happy with the intrusion of a stranger in her house and in her life, but she and Quinn, both struggling with abandonment and redefining home, develop a friendship.
Lisa Duffy’s characters are imperfect and believable – they all are in search of something and they also offer comfort, camaraderie and support to each other, making this a book I didn’t want to end. The author touches on PTSD, pregnancy, drugs and alcohol, and coming of age – real life problems and challenges that are relatable. I enjoyed all the relationships that were forged, the growth each character experienced, and I was rooting for them all! I highly recommend This is Home as well as Lisa Duffy’s first book, The Salt House.
Q & A with Lisa Duffy
Do you have experience with ptsd and the military and how much research did you do for this book?
One of the reasons I wanted to write about this subject was my lack of personal experience with the military. When my oldest daughter graduated high school, a number of her classmates joined the military, some in potential combat positions, and it raised so many questions for me. What makes someone choose this as a future? How do the loved ones staying behind feel about it? What sort of sacrifices and challenge arise when someone deploys on a tour and then returns to civilian life? As a writer, this is the material I always want to explore. The things that pique my curiosity. My research started with reading a lot of memoir and fiction. Then watching a lot of documentaries on the subject. I have several friends in the military and they put me in touch with people who were willing to talk about their experience and answer any questions that came up as I wrote the book.
Dogs can certainly bring out the best in people. Why did you decide to include Rooster as a character?
A lot of things that come to life in a book aren’t really decisions. When I started writing the character of Libby, she had a dog. It wasn’t really a conscious decision that I made, more of a feeling that this family would be a family who owned a dog. So…Rooster Cogburn appeared. And he was immediately this big, lazy beast. Maybe because we’ve always had big, lazy labs and they’ve always been such a huge part of our family. Rooster was a lot of fun to write. I miss spending my days with him.
None of the characters had a stable upbringing or current adult family life that felt solid yet they were all in pursuit of normalcy. What is the significance of the title This is Home?
The title comes from a moment in the end of the first chapter when Libby is wishing they could move out of the noisy, crowded triple-decker and back to their old home—the one she’s always known. But she doesn’t bother talking about it with her father. She doesn’t ask him to move back home because she knows that his answer will be that this is home, even though it doesn’t feel like it to her. It’s the beginning of her journey to redefine home, and what it means to her.
What have you read lately that you recommend?
I loved Sandi Ward’s Something Worth Saving, Devin Murphy’s Tiny Americans and Elise Hooper’s Learning To See. All second books that hit shelves this year from authors I met in an online debut group for The Salt House. One of the great things about this author gig is finding new favorite writers. I’m waiting eagerly for the third novels from all of these folks.
What is on your nightstand to be read next?
I’ve been looking forward to diving into Michelle Obama’s memoir. I also have a second draft of a friend’s novel-to-be waiting on my Kindle. And a stack of novels on my bedside table that is growing and growing. I’m not doing a lot of reading right now because I’m close to finishing the first draft of my third novel, and I find that at night, I just want to sit and clear my head. But when I’m done with the draft, I’ll be ready to dig in to other stories.
What are you working on now?
I’m working on my third novel, releasing from Atria next summer, about class, identity and betrayal colliding when a young girl is orphaned in a close-knit island community off the coast of New England.
Lisa Duffy is the author of This is Home and The Salt House, named by Real Simple as a Best Book of the Month upon its June release, as well as one of Bustle’s Best Debut Novels by Women in 2017, a She Reads Book Club selection and Refinery 29’s Best Beach Reads of 2017.
Lisa received her MFA in creative writing from the University of Massachusetts. Her short fiction was nominated for a Pushcart Prize and her writing can be found in numerous publications, including Writer’s Digest. She lives in the Boston area with her husband and three children.
This wonderful debut novel, If You Leave Me, centers around five characters growing up during and after the Korean war. Haemi is a spirited, willful and independent 16 year old refugee who lives with and feels responsible for her widowed mother and her sickly younger brother, Hyunki. She and her lifelong friend, Kyungwan, are experiencing young love, but he wants to get an education and be a better man before he expresses his feelings. Kyungwan’s older, wealthier cousin, Jisoo, has no immediate family, and he also takes a liking to Haemi. Before he goes off to war he asks her to marry him, with the hope that when he returns he will have family waiting for him. Jisoo can ensure less struggling and provide food and medicine for Haemi and her family. Despite her connection with Kyungwan, her hope of having a life with him, and her desire for education, she ignores her emotions and accepts Jisoo’s proposal, knowing this union will provide stability and financial security for her aging mother and sick brother, and will allow all of them to continue living together. Understanding he cannot provide the security Haemi needs, Kyungwan leaves. Jisoo returns from war and he and Haemi have children, but she struggles with life and loss, and has a difficult time finding peace with her decisions. After 11 years, Kyungwan returns for a short visit…
If You Leave Me is a war story and a love story; life choices are influenced by the Korean war and the challenges of being a refugee. Crystal Hana Kim takes us through 16 years and we witness the struggles…what they do for love and what love does to them. This is a generational saga with multiple prospectives over time, and we see how the old and the young are influenced by western culture as it is integrated into Korean life. Families are torn apart during the civil war in Korea, and the people are desperately trying to repair their lives. If You Leave Me is about difficult decisions, the security found in new families, and the unforgettable ache of lost love. If you loved Pachinko by Min Jin Lee, you will love this one!
Crystal Hana Kim Book Talk
I had the wonderful opportunity to meet Crystal Hana Kim and as always, hearing from the author enhanced my understanding of where the story ideas came from and gave me a deeper appreciation for the creativity, effort and final product. I learned that Crystal’s Korean maternal grandmother came to New York to help raise her for a few years when she was a baby and then returned home to Korea where she goes to visit every year. Crystal remains close to her grandmother and they keep in touch through texts and selfies. Her parents are immigrants and throughout her childhood they spoke Korean, were influenced by the culture and ate Korean food at home. When Crystal went to school she felt people did not understand her or know who she was. When she told a boy she was Korean he said no, she must be either Chinese or Japanese. Shocked to realize Americans knew little about Korea she decided she would one day write about her culture and her family’s country.
Crystal’s grandmother often tells her stories about her youth and how she was a teenage refugee and had to flee her home during the Korean war. She talks to her about poverty and the restraints on women and how marriage gave her stability even though she wanted an education, likely influencing Haemi’s character development in If You Leave Me. (In order to fulfill her dream of education today, Crystal’s grandmother is taking harmonica lessons and is in a poetry class!)
Research for the novel started with Crystal’s knowledge of Korea and her own personal family experiences and traditions, and then expanded to a civilian focused effort, interviewing many of her Korean relatives. Her hope was to create a novel that was vivid, descriptive and portrayed family and cultural history with integrity, and I believe she was hugely successful. I loved If You Leave Me and highly recommend it.
Q & A with Crystal Hana Kim
Q: I enjoyed the multiple perspectives in If You Leave Me, and each character painted a vivid picture of their life and surroundings. I know you are a first generation American…have you been to Korea? How much of your story came from your experiences or people you know? Did your parents’ experiences influence your story?
A: I grew up going to Korea every summer because my mother’s side of the family all live there. She wanted to make sure that my sister and I spent as much time with our grandparents, aunts, uncles, and cousins so that we could maintain strong ties despite the physical distance. The stories in If You Leave Me are all fictitious; my favorite part of writing is creating characters, lives, and circumstances. My grandparents all survived the Korean War, and the tragedy of this war did inspire me to write about this particular time, but the characters are all my own.
Q: All your characters were flawed and realistic – and the war and political situation influenced their life choices and decisions. In addition, the western cultural influences had an impact and it seemed like traditional values were being challenged by new thinking. Do you think people who live through these type of unstable times and suffer terrible loss can recover from them and find happiness?
A: I’m an optimist, so yes, I believe in the resilience of humankind. However, I do think that the ways in which we cope with violence, civil war, hunger, and tragedy depends on the individual. There are so many factors that shape our individual selves, from our family relationships to cultural expectations to our access to class, privilege, and opportunity. In If You Leave Me, my goal was to create a complex, diverse group of characters who felt as real and human as possible.
Q: We never find out who received the yellow dress but are made to feel like Jisoo bought it for another woman. Why did you choose not to tell us who received it? Did it not matter? (It came up in the book discussion!)
A: Ah, the yellow dress! I prefer books that do not tie up every loose end, that instead allows room for the reader to make their own judgments. What the yellow dress represented—mistrust, disloyalty, and the fracturing in Haemi and Jisoo’s relationship—were more important and interesting to me than neatly concluding whether or not Jisoo bought a dress for another woman.
Q: Haemi loses everything over the course of her short life…her father dies, she spends her childhood caring for her widowed mother and ailing brother, she gives up her relationship with Kyunghwan so her family has financial stability, she sacrifices her will to be educated to become a wife to a man she doesn’t love and she loses her brother. She mentions several times how she has a hard time recovering after pregnancy. She also was so angry and seemed to recognize this and try to control it at times. Did Haemi have post partum depression or a mental illness?
A: Haemi had to sacrifice a lot for her family, and yet there were real moments of joy in her life as well. For example, even in her relationship to Jisoo, there is a form of love in the earlier years of their marriage. Even though she finds motherhood difficult and is not the perfect caretaker, she also deeply loves her children. I wanted her life to be complex and yet realistic to the time she grew up in.
I specifically depicted Haemi struggling after pregnancy because I wanted to write about a strong female character suffering from post partum depression. Haemi tries to articulate how she is feeling to those around her, but they cannot comprehend her illness and thus have no empathy for her. I wanted to showcase how frustrating this could feel for a mother of young children—in addition to suffering from post partum, she does not have the vocabulary to articulate her illness to others.
Q: How long did it take you to write this book?
A: In 2011, when I started my graduate studies in MFA at Columbia University, I began writing about Haemi and Solee. I was interested in their mother-daughter relationship and their circumstances. As I wrote scenes from their perspectives, the other characters began to take shape. At first, I thought I was working on an interconnected short story collection about a Korean family over three generations. In 2014, I realized that I could take part of that collection and turn it into a novel. At that point, the premise and scope of If You Leave Me was born, and it was published a few years later in 2018.
Q: Would you ever consider writing a book centered on one of the daughters as a continuation?
A: Yes, I’ve actually toyed with the idea of writing a book about the daughters in their adult years! I think it would be interesting to explore the different trajectories these daughters’ lives would take as they grapple with their childhoods, their mother’s leaving, and Korea’s modernization. I also think this could be a way to explore immigration to the United States, which, as the daughter of Korean immigrants, I would love to write about.
Q: What 3 books have you read recently that you recommend?
A: There are so many books I’d recommend! Chemistry by Weike Wang was published in 2017, but I read it this year. Chemistry is a funny and moving story about an indecisive Chinese American Phd Chemistry candidate trying to understand what she wants out of life. Fever Dream by Samanta Schweblin (translated by Megan McDowell) is a slim, powerful, eerie, and odd conversation between a sick young woman in a rural hospital and a young boy. It’s an unsettling book that is difficult to describe but that will stay with you for a long time. The Return by Hisham Matar is a memoir about the author’s return to Libya to investigate the mysterious disappearance of his father decades before.
Q: What books are on your nightstand that you are looking forward to reading?
A: I am very excited to read Heavy by Kiese Laymon, Trust Exercise by Susan Choi, and American Spy by Lauren Wilkinson.
Crystal Hana Kim holds an MFA from Columbia University and is a contributing editor for Apogee Journal. She has received numerous awards, including PEN America’s Story Prize for Emerging Writers, along with fellowships and support from the Bread Loaf Writers’ Conference and the Fine Arts Work Center in Provincetown. Born and raised in New York, she currently lives in Chicago.
If you like a story that rips your heart out over and over, grab a box of tissues and a copy of The Last Letter. Special ops officer, Beckett, grew up in foster care and went into the armed services to run away from his difficult, transient life. His best friend was killed in action but before he died, he wrote a last letter, asking Beckett to take care of his sister, Ella if anything happened to him. She had been married and pregnant at 17, her husband left her to raise twins on her own. One of the twins was very sick and needed treatment, and without her beloved brother, she really could use some support. Will Beckett leave the military to follow up on his buddy’s last request?
The book is a back and forth exchange of letters, where we not only learn the day to day happenings and the past leading up to it, but also the deep feelings, insecurities, hopes and dreams of Ella and Beckett. Through the eyes of a military family, Yarros has mastered the tugging of heartstrings and created complete characters who fight their own demons and exercise restraint, while at the same time explore love and loss, worry and hope, with physical chemistry that rivals 50 Shades of Grey at times. Life’s mix of emotions is experienced in this sorrow-filled, yet beautiful love story. One day at the beach or on a plane with this book is all you need to become immersed, absorbed and drained! Add The Last Letter to your list for a quick and emotional read. Don’t forget the tissues!
Rebecca Yarros is a hopeless romantic and a lover of all things coffee, chocolate, and Paleo. She is the author of the Flight & Glory series, including Full Measures, the award-winning Eyes Turned Skyward, Beyond What is Given, and Hallowed Ground. Her new Renegade Series features Wilder and the upcoming Nova, and is sure to keep your heart pounding. She loves military heroes, and has been blissfully married to hers for fourteen years.
When she’s not writing, she’s tying hockey skates for her four sons, sneaking in some guitar time, or watching brat-pack movies with her two daughters. She lives in Colorado with the hottest Apache pilot ever, their rambunctious gaggle of kids, an English bulldog who is more stubborn than sweet, and a bunny named General Fluffy Pants who torments the aforementioned bulldog. They recently adopted their youngest daughter from the foster system, and Rebecca is passionate about helping others do the same.(less)
Having grown up and currently living in a small town in suburbia, where over time, modest houses are knocked down and replaced by mansions, trees are removed so yards can have more sunlight, and neighbors have disputes over fences, branches, mailboxes and plowing, I have witnessed communities caught up in grievances surrounding property lines, barking dogs and early morning leaf blowing. Author Julie Langsdorf creates Willard Park, a small town outside of Washington DC where amidst the community craziness we meet well meaning, imperfect characters living their lives to the best of their abilities. Those of us living in suburban areas outside of cities will relate to this slice of life, entertaining debut, White Elephant where neighborly tensions run high and add to the stress of everyday life, tired marriages and over exposed mortgages.
In this satirical debut that is a slightly exaggerated reality and consistently humorous, we are given a peak into suburbia and all the secrets. Julie Langsdorf digs deep to uncover the real people in the neighborhood, their lack of communication and honestly with themselves and each other, their insecurities and private affairs along with their hopes and ideas of what it means to achieve the American Dream. White Elephant is an enjoyable snapshot of Anytown, USA where crazy things happen and it’s just another day!
Q & A with Julie Langsdorf
Q: How did you come up with the idea to write a book about neighborhood tension stemming from the presence of a big new house, nicknamed the White Elephant?
A: I was inspired to write the book in 2005, when a series of articles in The Washington Post and other D.C. publications detailed the chaos that was going on in some of the area’s older, established communities. People were moving into these towns and tearing down the older houses and building new, often enormous houses, much to the older residents’ chagrin. Neighbors were egging one another, yelling at each other in the street, and suing each other. It was such a big, juicy mess I couldn’t resist writing about it.
Q: Did you grow up in suburbia and are any of the characters based on people you know?
A: I grew up in a small town that bears some similarities to the fictional town of Willard Park. There’s a children’s library and houses that range from gracious Victorians to 1960’s split levels. The only character who is based on someone is Terrance, Ted’s twin brother, who is modeled after my own brother, Kenny—one of the sweetest people I know.
Q: Willard Park seemed familiar to me and I am sure to many who read White Elephant. Do you think people living in many suburban towns experience similar disagreements?
A: I think it’s a widespread problem. I’ve heard from people all over the country who say it feels like their neighborhood! We all have different ideas about the American Dream; sometimes it’s hard to reconcile those concepts within a community.
Q: As I was reading I was thinking the characters belong in a soap opera and then again, this small town outside of DC is an example of so many upper middle class towns…from the dispute over the trees and new houses, to the intimacy issues and infidelity, pot smoking, truancy, illness, wannabe artists, small business owners, coffee shops, town festivals, and even a community theater performance of Annie Get Your Gun…it all rings true and seems like a microcosm of the country today! So many things happen yet the story keeps moving forward smoothly as if all the craziness is just the norm. The satirical storytelling with a window into peoples’ lives was a joy to read. Where did you get all your ideas?
A: Thank you for saying that it’s a microcosm of what’s going on today! It really feels that way to me. Willard Park is dealing with the intense stratification we are all confronting these days. It’s so hard for people to see the ‘other side,’ and we are at risk of vilifying those who have a different perspective. There is a lot of craziness in this book, but I’m not sure it’s that much crazier than things that are going on in real life! I love the way community theater pulls a town together. There’s something so sweet about townspeople singing and practicing lines together just for the joy of it; it’s an interesting contrast to the divisiveness they are all feeling. My daughter was in Annie Get Your Gun when she was a child, so I picked that one. It’s such a wonderfully over-the-top show. I never really know where my ideas come from; I like to give my mind plenty of space to wander so oddball ideas can surface when they are ready to.
Q: You portrayed this slice of life humorously and with great insight. There are plenty of secrets between neighbors, friends and family members and open communication is minimal. Most of the characters do bad things but they all have their reasons and although I felt frustrated at times, I forgave them. True feelings are revealed and obstacles are faced, all the while everyone is on their solo journey, searching for their own happiness. Things get so messy and the characters are deeply intertwined…how did you organize the web of neighborhood relationships…did you draw it out on paper first or did you just write and it grew together?
A: Yes, communication is an enormous problem in the book—not just among those who dislike each other, but even among those who love one another. I think it’s a problem in real life as well. I hope readers will feel they understand why the characters make the choices they do even if they disagree with them, and will feel that they are all human, despite their flaws. I don’t map it out, but I did carefully track each character’s journey toward the end of the writing process to make sure everyone’s story hangs together with the characters with whom they interact.
Q: Was there anything in the story that didn’t make the final cut?
A: I cut Nina, the realtor, as a narrator. She was a fun character to write, but in the end I didn’t think her voice added enough to the story.
Q: How long did it take you to write White Elephant and what are you working on now?
A: I wrote White Elephant in about three years, between 2005 and 2008. A long time ago now! When I finished it, the bottom fell out of the market, so it wasn’t the book’s time—but things have come full circle in recent years. I recently finished another suburban comedy set in a different kind of Maryland town. It, too, is told from multiple points of view, and is very topical. I can’t reveal any more about it just yet, but I will as soon as I am able to!
Q: What three books have you read lately that you recommend? And what is on your nightstand to read next?
A: I loved Daisy Jones and The Six, by Taylor Jenkins Reid, which I listened to as an audiobook; I highly, highly recommend readers experience it in that way. I also highly recommend Angie Kim’s debut novel Miracle Creek, which will be published this Tuesday. It’s a courtroom drama you do not want to miss. I’m currently reading Oksana Behave!, by Maria Kuznetsova, which is a complete delight. She has such a fresh, fun voice. Next up is Mandy Berman’s Perennials.
I enjoyed and recommend White Elephant. For another humorous book that gives you a behind the scenes look – this time in politics and journalism in the newsroom, check out Amanda Wakes Up by Alisyn Camerota.
Julie Langsdorf has received four fiction grants from the Maryland State Arts Council and her short stories have appeared in several literary magazines. White Elephant, her debut novel, was named a new book to watch for and an editors’ choice by The New York Times, a book not to miss by USA Today, a highly anticipated debut novel by The LA Times, a best new book by Southern Living Magazine and Real Simple, and a Library Journal best debut.
Becoming is an engaging memoir from a tall, bright, black girl from Chicago who grew up in a traditional home with loving family and the opportunity for education. Where her life led is remarkable and Michelle Obama tells us about her youth, her relationship, marriage and daughters along with her thoughts and opinions about being a black woman, wife and mother in the White House. As the First Lady, she had worthwhile major initiatives surrounding children’s health, military families and education and she provides readers with an insider’s look and insight into her time in Washington DC.
Becoming is not just about becoming FLOTUS, it is about Michelle Obama’s personal growth based on choices she made and ones that were made for her due to circumstances – choices about her career, whether or not she got married and had children and how she created and honored her family values, made an impact on people and participated in causes she cared about, utilizing her new found power and visibility to help the people in our country become healthier, more ambitious and hopeful. She wasn’t just the president’s wife; Michelle Obama was a refreshing force with strong morals and an effective agenda for positive change in the White House, while providing stability for her children and husband as he took on the biggest job in our country.
One of Michelle Obama’s major initiatives while in the White House was the Let’s Movecampaign with the goal to reduce childhood obesity and encourage a healthier lifestyle. She worked with her Executive Director, Sam Kass, who at the time was President Obama’s Senior Policy Advisor for Nutrition, and together they created the first major vegetable garden at the White House since Eleanor Roosevelt’s victory garden.
A role model for women and girls, Michelle Obama took on the job of First Lady and conducted herself in the public eye with grace and effectiveness and deserves admiration and accolades. I highly recommend this book, regardless of your politics, as it gives you a unique understanding of the Obama family, the challenges members of the black community and all women face, and the endless possibilities for making positive change in your immediate world and the world at large. I loved it and hear the audio version is fantastic!
About the Author:
Michelle LaVaughn Robinson Obama is the wife of the forty-fourth President of the United States, Barack Obama, and is the first African-American First Lady of the United States.
She was born and grew up on the South Side of Chicago and graduated from Princeton University and Harvard Law School. After completing her formal education, she returned to Chicago and accepted a position with the law firm Sidley Austin, and subsequently worked as part of the staff of Chicago mayor Richard M. Daley, and for the University of Chicago Medical Center.
Michelle Obama is the sister of Craig Robinson, men’s basketball coach at Oregon State University. She met Barack Obama when he joined Sidley Austin. After his election to the U.S. Senate, the Obama family continued to live on Chicago’s South Side, choosing to remain there rather than moving to Washington, D.C.
So your book group is a little lax and needs some shaping up, but you are not quite sure what to do. The meeting dates keep changing and the endless emails to reschedule are cluttering your inbox.When you finally do meet, all anyone cares about is the food and wine and half the people haven’t even read the book.Finally, when one person recalls the purpose of the get-together and announces how it is getting late, and maybe you should talk about the book, the momentum shift to intelligent discussion feels like a chore and the book conversation is forced, aimless and short.From someone who has been in many book clubs over the years, I would like to offer you some advice.
Assign a leader…someone needs to be in charge.
The leader of the book group is responsible for communications; she should ask the group for book suggestions, evaluate the responses and choose the winning book.Ask the group for volunteers to host, assign the host, agree on the date with the host and communicate to the members, the host, the date and the book.The host can then reach out to the group asking what they would like to bring and letting them know the address and where to park.The leader of the group does the administrative job to keep the group moving forward.
Pick a date…and stick with it.
The sweet spot for book group meetings is every 6 to 8 weeks.This gives slower readers a chance to finish in time and everyone has the chance to plan their schedule.Not everyone will be able to make every date so consistency is helpful.If you can plan the year’s meetings ahead of time this could work too.I am in one group that provides all meeting dates and book titles at the beginning of the school year.Everyone is invited to bring their lunch, cookies are served, a moderator is brought in to help the leader lead discussion, and there is no nonsense.This group’s focus is more serious, similar to a class due to the learning and enrichment, and the set schedule, in depth content discussion and book choices reflect those values. This orderly routine works well for this group.
These books generate good conversation.
Choose the right book…it must satisfy the needs of the group.
All members should suggest several books they want to read and most likely there will be some overlap. The book chosen should meet the needs of the group.Does your group like to read mainstream, popular fiction that focuses on relationships? Mysteries? Historical fiction?One of my book groups chooses well known titles (Reese Witherspoon and Oprah picks) and we have had smart discussions.We have read An American Marriage, Little Fires Everywhere, and most recently we discussed Educated and The Great Alone together, as there is so much to compare and contrast.Another group I am in read Song of a Captive Bird, a fictional account of a real Iranian poet Forugh Farrokhzad, and most recently, Asymmetry, a debut written in three parts about love, luck, life and art, and both of those discussions were informative and educational. With Asymmetry, so much learning occurred and hidden meaning was revealed at our round table discussion in a Japanese restaurant’s Tatami room one evening…we continued talking about that book for days!My advice is to choose a book you can sink your teeth into and do some extra research on the topic, author, time period or characters.
Size doesn’t matter…agreement on the format does.
Contrary to much publicized book club advice, it is possible to have a successful book group with as many as two dozen people, or even just a few people.As long as your group has some structure and everyone is respectful and willing to follow the format, great fun can be had.Smaller groups have an easier time agreeing on a date, finding a place to meet and everyone has more of a chance to speak out.On the other hand, one of my groups has over 20 members and most of these women have been reading together for 20 years.For them, the meal on book club night is important as many of them enjoy hosting a dinner party, so we always enjoy a beautiful meal and wine for an hour or so before we get down to business. We tend to have more emails back and forth about the date, but if everyone can’t make it, that is ok. We still enjoy thoughtful discussion.
Regardless of size, it is important to have a moderator. The moderator should come to the meeting with discussion questions that usually can be found online; some local libraries will provide them if you put in a request. The moderator can kick off the meeting with a short summary of the book to get everyone on the same page and then can use the questions to stimulate conversation. She is in charge of keeping it civilized! If nobody takes the lead, too many people try to talk at once and the group tends to break up into smaller side conversations.
My book group meeting Martha Hall Kelly, author of The Lilac Girls, after a speaking engagement.
Go the extra mile…there is added value to be had.
This is where you can make your meetings interesting, and everyone can bring something to the party.This is what I do. Once the book is picked, I like to follow the author on social media.This gives me the opportunity to connect and ask questions.Most authors are excited to hear what you think about their book and I always leave a review on Goodreads and Amazon.This helps them with their rankings and can impact sales so why not help an author out!They also could be willing to visit your book club or Skype with your group and that can be really exciting and different.
FaceTiming with Fiona Davis, author of The Masterpiece.
One of my book groups FaceTimed with author Fiona Davis when we discussed her third novel, The Masterpiece.In addition to the book and the writing process we talked about artists that were named in her book, actors who we would want to play her characters if the book were made into a movie, along with the architecture and special floors and rooms of 1920s Grand Central Terminal.We also had photos one of our members took of places in the current Grand Central Terminal which enriched our discussion and made it oh so much fun!
My book group meeting with Heather Frimmer, author of Bedside Manners.
A different group I am in welcomed author of Bedside Manners, Dr. Heather Frimmer to join us and talk about her mother-daughter medical fiction debut. As a radiologist, she talked to us about the realities of breast cancer and how her medical knowledge helped her write an authentic book.
And of course, Google is a wonderful thing…I always research the author and the book, and if I am the moderator, I download discussion questions.When I moderate a group I like to read a short summary of the book to get everyone in the right frame of mind. Everyone can find something interesting to contribute; it is nice to show a video or pictures (someone showed photos of locations in Spain when we discussed Dan Brown’s Origin), read an interview (I read a transcript of a conversation between author Tara Westover and Bill Gates when discussing Educated), and in another group one of our members referred to her copy of Alice in Wonderland when we examined the writing of Lisa Halliday (at our Asymmetry discussion). There are so many author interviews on youtube and author websites to share. Another fun thing to do is to choose a book where you and your group are able to go hear the author speak at a local library or bookstore. If you can, connect with the author on social media and ask to meet for a drink with your book group after the event.
Controversial themes and unusual settings make for interesting discussion.
If you want to get together with friends, drink wine and have fun after reading the same book, that can be easy to do.If you want your book club to be a little more intellectually stimulating, everyone needs to be in agreement and effort must be put in.Follow my 5 tips for keeping your book group on track, and you should have some success.I am enjoying each of my many book groups for different reasons, but most of all, I am happy to connect with friends over books and learn something new.
Assign a leader…someone needs to be in charge.
Pick a date…and stick with it.
Choose the right book…it must satisfy the needs of the group.
Size doesn’t matter…agreement on the format does. (Assign a moderator!)
Go the extra mile…there is added value to be had.
Let me know what your book club is reading and if you need a suggestion, please ask!
I haven’t read a lot of short stories and when the publisher asked me to take a look at We Love Anderson Cooper I was happy to do so…the title made me smile and when the book arrived I was increasingly motivated by the great looking cover!
A teenage boy coming out publicly at his Bar Mitzvah, a cat playing favorites during the Christmas/Hanukah holiday season, the relief of a called off wedding, and the power of a couch…so wonderful getting to know the varied characters and becoming absorbed in their emotional journeys in such a short time.
I really loved all the stories and was thrilled to have the opportunity to chat with author R.L. Maizes about this new short story collection, her writing process and more.
Q & A with R.L. Maizes
Q: From a reader’s point of view, each of your stories in this wonderful collection stand on its own and is unrelated, with different characters and situations. Every main character seems to have a problem or obstacle they face and tackle during the short time we are with them and I became invested in each and every one! Are any of these short stories in We Love Anderson Cooper linked or connected to each other in any way?
Thanks so much for the kind words about the collection. What connects the stories in We Love Anderson Cooper is that the main characters are outsiders. For example, in the story “Tattoo,” a tattoo artist is shunned because of his unusual appearance. In “Collections,” a woman is excluded from her wealthy partner’s upper crust world because of her race and class. In “No Shortage of Birds,” a young girl becomes alienated from her mother and her friends when her father dies. Being outsiders creates challenges for these characters that they try to overcome in the stories.
Q: Did you write each story with the others in mind? Are there other stories that didn’t make the cut? Did you always plan on putting these together in a collection?
I wrote the stories over a ten-year period. The pain we all feel at being excluded and our tremendous desire to belong was one of my preoccupations, but I wasn’t thinking of writing a collection during that entire time. Many stories I wrote didn’t make the cut.
Q: How long did writing each story take? Have any of them been published on their own prior to this book?
With the exception of one very short one, I spent more than a year writing and revising each of them. Some took many years. A number of the stories were published in magazines before being included in the book. One aired on National Public Radio. Another was dramatized in a production of Stories on Stage.
Q: From a writing standpoint, how do you gage timing, know how much to reveal in such a short time and do you have to do any work developing the characters or the story arc before the story is written or does it just all come together as you write?
I’m what’s known as a pantser, which means I develop the stories as I write them (“fly by the seat of my pants”) rather than plotting them out beforehand. The stories end up needing more revision this way, but it’s the only way I know how to write.
Figuring out when to reveal information is one of the great challenges of fiction writing, and each story has its own needs in that regard. In “Ghost Dogs,” for example, the last story in the collection, I intentionally hold back important information until the middle of the story. While in another story, I reveal the end of the story first, allowing the suspense to arise from how the ending comes about.
Q: What is the editing process like for a short story – do you generally write too much and have to cut, or too little and have to expand?
Both! I have to write too much to discover what the story is really about. Once I know, I cut to the heart of the story. The challenge of the form is compression. At the same time, when I want to go deeper into a character or to slow down a scene for dramatic purposes, I expand parts of the story.
Q: Would you ever consider expanding any of these stories into a book?
I’m writing a novel now called “Other People’s Pets.” The main character is an animal empath who drops out of veterinary school to become a burglar. Her father’s been arrested and she’s desperate to earn enough to pay his attorney’s fees. It has some similarities with the collection. The main character is an outsider and the book features animals. But it’s not an expansion of any of the stories. I don’t plan to expand any of the stories in the collection because each one feels complete to me as it is.
Q: How do you get your ideas for your writing?
Stories are everywhere. A news report might trigger an idea for a story. Something that happened to an acquaintance might be the genesis of a story. I might observe something odd in my neighborhood. But the finished stories are always greatly changed from what initially sparked them.
Q: Are you going on book tour?
It’s a little too soon to know. I’ll be reading at bookstores in Colorado where I live. But I’m not sure where else I’ll tour.
Q: What are three books you recently read and would recommend?
I loved Rebecca Makkai’s recent novel, The Great Believers, and her story collection, Music for Wartime. Mad Boy by Nick Arvin is a wonderful book, funny and tender. It’s currently a finalist for a Colorado Book Award. I’m a big fan of Steve Yarbrough’s novels because of the compassion he has for his characters. The Unmade World, which came out this past year, was fantastic. I thought Sigrid Nunez’s The Friend was great. Naturally because of the dog. But also because the structure of that book was marvelous. I guess that’s more than three.
Q: What is on your nightstand to read next?
I’m looking forward to reading Susan Choi’s Trust Exercise and was lucky enough to pick up an advance reading copy at a conference I recently attended. I’m also about to begin Kali Fajardo-Anstine’s debut story collection, Sabrina & Corina.
Thank you to R.L. Maizes for answering some questions! If you feel like an outsider, you are not alone. Easy to read, engaging and thought provoking, every step of the way, I highly recommend pre-ordering a copy of We Love Anderson Cooper today – book will be available in July.
R.L. Maizes’s short story collection, WE LOVE ANDERSON COOPER, will be published by Celadon Books (Macmillan) in July 2019, with a novel to follow. The stories have aired on National Public Radio and have appeared in Electric Literature’s Recommended Reading. Maizes’s essays have been published in The New York Times, The Washington Post, and elsewhere.
Born and raised in Queens, New York, Maizes currently lives in Boulder, CO, with her husband, Steve, and her muses: Arie, a cat who was dropped in the animal shelter’s night box like an overdue library book, and Rosie, a dog who spent her first year homeless in South Dakota and thinks Colorado is downright balmy.