Sing, Unburied, Sing is a beautifully written, character driven, heartfelt novel that takes place in the steamy Mississippi Gulf Coast. The story is about a young black girl, Leonie who has two children, Jojo who is thirteen and Kayla who is a toddler. The children’s father, Michael, is white, and in prison. Michael’s family is hopelessly racist and rejects Leonie and the children, so they live with Leonie’s parents. Leonie is a drug addict and she is rarely around so Mam and Pop have stepped in to raise the kids. Mam is dying of cancer and a broken heart due to her son’s death and spends all of her time in bed, and Pop is quiet, strong and teaches Jojo what he can around the farm. Jojo is brave; he takes care of his little sister Kayla with love and care, despite his mother’s neglect as a parental role model. When Michael is released from prison, Leonie takes her reluctant children away from their grandparents, on a road trip with her friend, Misty, to pick up drugs and then the children’s father.
Throughout the novel, we learn about Pop’s time spent in the penitentiary, and the horrific details that pepper his past. We see how his daughter, Leonie, is selfish, neglectful, bitter and struggles with addiction. We witness Jojo being able to communicate with the dead. These rich characters evoke so much emotion, hope and despair, and I enjoyed my increased understanding of them as they became whole through Ward’s prose.
Jesmyn Ward shows us that the course of our life is not just based on our current existence, relationships, choices and our future potential but also includes our past and how its impact weighs on us. In addition to these living characters in Sing, Unburied, Sing, there is the ghost of Leonie’s dead brother, Given, who she sees when she is on drugs, and Richie, the young boy Pop failed to save when he was in jail as a younger man, who Jojo sees and helps as he searches for answers about his own death.
I really did love this story of love, protection, race and family in the face of poverty down south. The lines between past and present, death and the living and hate and love are fine and the characters often hover between them. Jesmyn Ward does an artful job putting a spotlight on the injustices life may bring and I highly recommend this book!
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Winner of the National Book Award for Fiction 2017
A searing and profound Southern odyssey.
In Jesmyn Ward’s first novel since her National Book Award winning Salvage the Bones, this singular American writer brings the archetypal road novel into rural twenty-first-century America. Drawing on Morrison and Faulkner, The Odyssey and the Old Testament, Ward gives us an epochal story, a journey through Mississippi’s past and present that is both an intimate portrait of a family and an epic tale of hope and struggle. Ward is a major American writer, multiply awarded and universally lauded, and in Sing, Unburied, Sing she is at the height of her powers.
Jojo and his toddler sister, Kayla, live with their grandparents, Mam and Pop, and the occasional presence of their drug-addicted mother, Leonie, on a farm on the Gulf Coast of Mississippi. Leonie is simultaneously tormented and comforted by visions of her dead brother, which only come to her when she’s high; Mam is dying of cancer; and quiet, steady Pop tries to run the household and teach Jojo how to be a man. When the white father of Leonie’s children is released from prison, she packs her kids and a friend into her car and sets out across the state for Parchman farm, the Mississippi State Penitentiary, on a journey rife with danger and promise.
Sing, Unburied, Sing grapples with the ugly truths at the heart of the American story and the power, and limitations, of the bonds of family. Rich with Ward’s distinctive, musical language, Sing, Unburied, Sing is a majestic new work and an essential contribution to American literature.
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