The McCarthy Era, NYC theater, and the Chelsea Hotel…Fiona Davis has treated us to another wonderful novel, The Chelsea Girls!
I love the historical setting of the Chelsea Hotel in NYC in the 1950s, with writers, actors and musicians in residence; what an interesting place to live during the McCarthy era when there was a threat of blacklisting.
Hazel is a playwright and upon her return from being on tour with the USO in Italy, and against her parents’ will, she moves out of her childhood home and into the Chelsea Hotel to work in theater. Soon after, she is reunited with Maxine, her actress pal from the tour, when she moves to NY and into the same hotel. Their friendship is strong and they end up working together on a play that is headed for Broadway just when the red scare casts a shadow over the theater industry. The hunt for communists becomes prevalent and causes fear and upheaval with the girls and their co-workers. These complicated times presented difficult challenges with friendships that threatened loyalties, and I was rooting for Hazel and Maxine to beat the odds. I found myself absorbed in each of the young women’s stories through the linear storytelling, and the deep dive into their friendship we learn through narration, conversation and diary entries. The Chelsea Girls was compelling, interesting, educational and satisfying.
The history Fiona Davis shines a light on is enlightening and google-worthy in all of her novels and The Chelsea Girls is no exception. Many notable people have lived in the Chelsea Hotel over time…including Mark Twain, Tennessee Williams, Jack Kerouac, Ethan Hawke, Uma Thurman, Dennis Hopper, Jane Fonda, Grateful Dead, Jim Morrison, Bob Dylan, Jimi Hendrix and Bette Midler, and due to the many deaths that occurred there, The Chelsea Hotel is known for its’ famous ghosts that are present.
A wonderful story that includes history, NYC and friendship, I highly recommend The Chelsea Girls and all of Fiona’s other novels too (The Dollhouse – takes place at The Barbizon Hotel, The Address – takes place at the Dakota, and The Masterpiece – takes place at Grand Central Terminal)!
Q & A with Fiona Davis
Q: I love the setting of The Chelsea Hotel for your newest novel…how did you come across it and decide to use it as a backdrop for your book?
A: I knew I wanted to have the plot be about two women trying to mount a play on Broadway during the McCarthy era, and the hotel made the perfect location, as several of its residents were investigated by the FBI during that time, one was even imprisoned, and the place has been a political and artistic hotbed since it opened in 1884.
Q: The acting and theater challenges Maxine and Hazel faced were authentic and believable. How has your background impacted how you wrote about them?
A: I think maybe my background offered specificity when it comes to the details of putting a show up on Broadway, and I have no doubt that having read a lot of plays helped me when it came to writing dialogue. When I acted in a theater company when I first came to New York, we did everything behind the scenes – from costume design to selling tickets – so it was a crash course in how a play gets mounted as well as the many obstacles involved in producing.
Q: The age of McCarthy and the witch hunt for communists took a toll on the people in the entertainment business in the Chelsea Girls- can you tell me a little about what happened during that time period in real life?
A: One of the best books to read on the subject is Lillian Hellman’s Scoundrel Time. She describes the initial reaction that the witch hunt as a joke. They figured since they were innocent of anything illegal, it would all disappear in time. Instead, the circus grew stranger and stranger and more threatening, and her account of testifying before Congress will send a shiver up your spine.
Q: I love the how the chapters alternate between the two main characters. Did you write them in the order they appear in the book? Why did you choose to have only Maxine keep a diary?
A: I wrote the book in order, going back and forth between Hazel’s perspective and Maxine’s. I liked the way that their perspectives offered up a different viewpoint as to what was going on, depending on their own opinions and backgrounds. I wanted to have only Maxine keep a diary so we could get deep into her head, and have a recorded account of the events.
Q: Hazel and Maxine had struggles and I enjoyed both of them so much! Even though there was deceit, their friendship was powerful and necessary in order to sustain composure during those times. Who do you identify with most?
A: I think I identify with Hazel most, as while I loved acting, it wasn’t suited to my more introspective nature. She feels the same way, and finds herself by writing plays just as I discovered so much joy in writing books.
Q: Do you see hints of McCarthy era parallels in reverse today with accusations toward our president of having Russian connections? Is it equally as damaging?
A: It’s amazing how history repeats itself, but I think the way that people are bandying about the term “McCarthyism” today requires a hard look at what really happened, which is one of the reasons I wanted to write about it in the first place. Back then, politicians were trying to find an “other” to demonize, a way to find a common enemy and thereby consolidate their power. My hope is by taking a close look at the past, we can avoid going down the same road again.
Q: After your book tour for The Chelsea Girls, What is up next for you?
A: I’m hard at work on the next book, which is called The Lions of Fifth Avenue and set in the New York Public Library. It’s a big endeavor but I’m enjoying it immensely.
Q: What is on your nightstand to read next?
A: I have two books that are coming out next year to read: Red Letter Days by Sarah-Jane Stratford (which is also about the blacklist, I like to think I started a trend, although I’m sure she’s been working on it for years), and The Girls in White Gloves by Kerri Maher.
About the author:
Fiona Davis is the nationally bestselling author of THE MASTERPIECE, THE DOLLHOUSE and THE ADDRESS. She began her career in New York City as an actress, where she worked on Broadway, off-Broadway, and in regional theater. After getting a master’s degree at Columbia Journalism School, she fell in love with writing, leapfrogging from editor to freelance journalist before finally settling down as an author of historical fiction. Visit her at www.fionadavis.net, facebook.com/FionaDavisAuthor/ and on Instagram and Twitter @fionajdavis.
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