The Booker Prize is the Leading Literary Award for Best Novel written in English and published in the UK or Ireland.

These books on the long list were announced in July and the winner will be announced in October 2022.

 The Colony by Audrey Magee

In 1979, as violence erupts all over Ireland, two outsiders travel to a small island off the west coast in search of their own answers, despite what it may cost the islanders. 

It is the summer of 1979. An English painter travels to a small island off the west coast of Ireland. Mr. Lloyd takes the last leg by currach, though boats with engines are available and he doesn’t much like the sea. He wants the authentic experience, to be changed by this place, to let its quiet and light fill him, give him room to create. He doesn’t know that a Frenchman follows close behind. Jean-Pierre Masson has visited the island for many years, studying the language of those who make it their home. He is fiercely protective of their isolation, deems it essential to exploring his theories of language preservation and identity.

But the people who live on this rock–three miles long and half a mile wide–have their own views on what is being recorded, what is being taken, and what ought to be given in return. Over the summer, each of them–from great-grandmother Bean Uí Fhloinn to widowed Mairéad to fifteen-year-old James, who is determined to avoid the life of a fisherman–will wrestle with their values and desires. Meanwhile, all over Ireland, violence is erupting. And there is blame enough to go around.

An expertly woven portrait of character and place, a stirring investigation into yearning to find one’s way, and an unflinchingly political critique of the long, seething cost of imperialism, Audrey Magee’s The Colony is a novel that transports, that celebrates beauty and connection, and that reckons with the inevitable ruptures of independence.

After Sappho by Selby Wynn Schwartz

“The first thing we did was change our names. We were going to be Sappho,” so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: “I want to make life fuller and fuller.” Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past.

Glory by NoViolet Bulawayo

From the award-winning author of the Booker-prize finalist We Need New Names, a blockbuster of a novel that chronicles the fall of an oppressive regime, and the chaotic, kinetic potential for real liberation that rises in its wake.

Glory centers around the unexpected fall of Old Horse, a long-serving leader of a fictional country, and the drama that follows for a rumbustious nation of animals on the path to true liberation. Inspired by the unexpected fall by coup, in November 2017, of Robert Mugabe, Zimbabwe’s president of nearly four decades, Bulawayo’s bold, vividly imagined novel shows a country imploding, narrated by a chorus of animal voices who unveil the ruthlessness and cold strategy required to uphold the illusion of absolute power, and the imagination and bullet-proof optimism to overthrow it completely.

As with her debut novel We Need New Names, Bulawayo’s fierce voice and lucid imagery immerses us in the daily life of a traumatized nation, revealing the dazzling life force and irrepressible wit that lies barely concealed beneath the surface of seemingly bleak circumstances. At the center of this tumult is Destiny, who has returned to Jidada from exile to bear witness to revolution–and focus on the unofficial history and the potential legacy of the women who have quietly pulled the strings in this country.

The animal kingdom–its connection to our primal responses and resonance in the mythology, folktales, and fairytales that define cultures the world over–unmasks the surreality of contemporary global politics to help us understand our world more clearly, even as Bulwayo plucks us right out of it. Glory is a blockbuster, an exhilarating ride, and crystalizes a turning point in history with the texture and nuance that only the greatest of fiction can.

Small Things Like These by Claire Keegan

It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him to confront both his past and the complicit silences of a town controlled by the church. 

Already an international bestseller, Small Things Like These is a deeply affecting story of hope, quiet heroism, and empathy from one of our most critically lauded and iconic writers.

Nightcrawling by Leila Mottley

Kiara and her brother, Marcus, are scraping by in an East Oakland apartment complex optimistically called the Regal-Hi. Both have dropped out of high school, their family fractured by death and prison. But while Marcus clings to his dream of rap stardom, Kiara hunts for work to pay their rent–which has more than doubled–and to keep the nine-year-old boy next door, abandoned by his mother, safe and fed.

One night, what begins as a drunken misunderstanding with a stranger turns into the job Kiara never imagined wanting but now desperately needs: nightcrawling. Her world breaks open even further when her name surfaces in an investigation that exposes her as a key witness in a massive scandal within the Oakland Police Department.

Maps of Our Spectacular Bodies by Maddie Mortimer

Something gleeful and malevolent is moving in Lia’s body. It’s learning her life from the inside. It shape-shifts down the banks of her canals, leaks through her tissue, nooks and nodes. It taps her trachea like the bones of a xylophone. It’s spreading.
This is Lia’s story. From the perspective of the thing that’s killing her.
When Lia finds out that her cancer is back, she tries to keep the landscapes of her past, her present and her body separate; for the sake of Iris, her daughter, living out the last of childhood, and for her husband, Harry, desperate to keep their lives and his tiny garden flourishing. 
But bodies are porous, unpredictable places; they harbour characters ancient and new, loved and forgotten – there to taunt or defend. Chemotherapy, a toxic red boy on a beast of a bike, rushes in to purge the place, singing strange medical hymns. Matthew, her first love, lurks around her lungs like a fossil, deep and secret as their shared moments in the parish. Meanwhile, her mother bites her bible tongue and tries to make up for the lost time. 
As Lia’s condition worsens, the narrator inside her strengthens; the boundaries between her past, her present and her body begin to leak and spill. She is faced with urgent questions about what it means to let go, to forgive and die with grace.

Case Study by Graeme Macrae Burnet

“I have decided to write down everything that happens, because I feel, I suppose, I may be putting myself in danger.”

London, 1965. An unworldly young woman believes that a charismatic psychotherapist, Collins Braithwaite, has driven her sister to suicide. Intent on confirming her suspicions, she assumes a false identity and presents herself to him as a client, recording her experiences in a series of notebooks. But she soon finds herself drawn into a world in which she can no longer be certain of anything. Even her own character.

In Case Study, Graeme Macrae Burnet presents these notebooks interspersed with his own biographical research into Collins Braithwaite. The result is a dazzling – and often wickedly humorous – meditation on the nature of sanity, identity and truth itself, by one of the most inventive novelists writing today.

Treacle Walker by Alan Garner

Treacle Walker is a stunning fusion of myth and folklore and an exploration of the fluidity of time, vivid storytelling that brilliantly illuminates an introspective young mind trying to make sense of everything around him.

‘Ragbone! Ragbone! Any rags! Pots for rags! Donkey stone!’

Joe looked up from his comic and lifted his eye patch. There was a white pony in the yard. It was harnessed to a cart, a flat cart, with a wooden chest on it. A man was sitting at a front corner of the cart, holding the reins. His face was creased. He wore a long coat and a floppy high-crowned hat, with hair straggling beneath, and a leather bag was slung from his shoulder across his hip.

Joe Coppock squints at the world with his lazy eye. He reads his comics, collects birds’ eggs and treasures his marbles, particularly his prized dobbers. When Treacle Walker appears off the Cheshire moor one day – a wanderer, a healer – an unlikely friendship is forged and the young boy is introduced to a world he could never have imagined. 

The Trees by Percival Everett

An uncanny literary thriller addressing the painful legacy of lynching in the US. The Trees is a page-turner that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.

Trust by Hernan Diaz

From an award-winning chronicler of our nation’s history and its legends comes his much-anticipated novel about wealth and talent, trust and intimacy, truth and perception. 

Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the brilliant daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth. But the secrets around their affluence and grandeur incites gossip. Rumors about Benjamin’s financial maneuvers and Helen’s reclusiveness start to spread–all as a decade of excess and speculation draws to an end. At what cost have they acquired their immense fortune?

This is the mystery at the center of a successful 1938 novel entitled Bonds, which all of New York seems to have read. But it isn’t the only version.

Hernan Diaz’s Trust brilliantly puts the story of these characters into conversation with other accounts–and in tension with the life and perspective of a young woman bent on disentangling fact from fiction. The result is a novel that becomes more exhilarating and profound with each new layer and revelation. Provocative and propulsive, Trust engages the reader in a quest for the truth while confronting the reality-warping gravitational pull of money and how power often manipulates facts. An elegant, multifaceted epic that recovers the voices buried under the myths that justify our foundational inequality, Trust is a literary triumph with a beating heart and urgent stakes.

The Seven Moons of Maali Almeida by Shehan Karunatilaka

Colombo, 1989. Maali Almeida, war photographer, gambler and closet queen, has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali. He has seven moons to try and contact the man and woman he loves most and lead them to a hidden cache of photos that will rock Sri Lanka.

Ten years after his prizewinning novel Chinaman established him as one of Sri Lanka’s foremost authors, Shehan Karunatilaka is back with a mordantly funny, searing satire. The Seven Moons of Maali Almeida is a state-of-the-nation epic that proves yet again that the best fiction offers the ultimate truth.

Oh William! by Elizabeth Strout

Lucy Barton is a writer, but her ex-husband, William, remains a hard man to read. William, she confesses, has always been a mystery to me. Another mystery is why the two have remained connected after all these years. They just are. 

So Lucy is both surprised and not surprised when William asks her to join him on a trip to investigate a recently uncovered family secret—one of those secrets that rearrange everything we think we know about the people closest to us. What happens next is nothing less than another example of what Hilary Mantel has called Elizabeth Strout’s “perfect attunement to the human condition.” There are fears and insecurities, simple joys and acts of tenderness, and revelations about affairs and other spouses, parents and their children. On every page of this exquisite novel we learn more about the quiet forces that hold us together—even after we’ve grown apart. 

At the heart of this story is the indomitable voice of Lucy Barton, who offers a profound, lasting reflection on the very nature of existence. “This is the way of life,” Lucy says: “the many things we do not know until it is too late.”

Booth by Karen Joy Fowler

Best Book of the Year 
Real Simple – AARP – USA Today 

From the Man Booker finalist and bestselling author of We Are All Completely Beside Ourselves comes an epic and intimate novel about the family behind one of the most infamous figures in American history: John Wilkes Booth.

In 1822, a secret family moves into a secret cabin some thirty miles northeast of Baltimore, to farm, to hide, and to bear ten children over the course of the next sixteen years. Junius Booth–breadwinner, celebrated Shakespearean actor, and master of the house in more ways than one–is at once a mesmerizing talent and a man of terrifying instability. One by one the children arrive, as year by year, the country draws frighteningly closer to the boiling point of secession and civil war.

As the tenor of the world shifts, the Booths emerge from their hidden lives to cement their place as one of the country’s leading theatrical families. But behind the curtains of the many stages they have graced, multiple scandals, family triumphs, and criminal disasters begin to take their toll, and the solemn siblings of John Wilkes Booth are left to reckon with the truth behind the destructively specious promise of an early prophecy.

Booth is a startling portrait of a country in the throes of change and a vivid exploration of the ties that make, and break, a family.

Highlights from this year’s longlist

as seen on thebookerprizes.com…

• Features youngest and oldest author ever to be longlisted: 20-year-old Leila Mottley and octogenarian Alan Garner, who will celebrate his 88th birthday on the night of the winner ceremony 
   
• At 116 pages, Claire Keegan’s Small Things Like These is the shortest book recognised in the prize’s history – the shortest to win was Offshore by Penelope Fitzgerald (1979) at 132 pages
   
• Three debut novelists make the list: Maddie Mortimer, Leila Mottley and Selby Wynn Schwartz 
   
• Previously shortlisted authors NoViolet Bulawayo, Karen Joy Fowler and Graeme Macrae Burnet, and previously longlisted Elizabeth Strout are recognised
   
• Majority published by independent publishers, including first time appearances from Influx Press and Sort of Books.